The Lady Who Liked Clean Rest Rooms
By J.P. Donleavey
Illustrated by Elliott Banfield
1995
Black morocco and latticed paste paper -- Out of Print
From the creator of The Ginger Man, Thornwillow Press proudly presents
its first publication of a new work of fiction — The Lady
Who Liked Clean Rest Rooms by J.P. Donleavy.
Uncensored and Pure Donleavy:
The Lady
Who Liked Clean Rest Rooms is the
first work of fiction to be published
by Thornwillow.
It was created by an artist who forty years
ago caused a major happening in the world
of literature and who continues to shock,
to entertain and to ruffle feathers with
a command of the language that has always
been
uniquely his own. Once again he takes us
on an amazing journey with this new
and remarkable
novella. In The Lady Who Liked Clean Rest
Rooms, J.P. Don-leavy tells us a tale “rumoured
about around New York.” It is a brilliant
comic/tragic tale that demonstrates the
ability of the author to climb inside the
mind and
heart of a woman, a woman who represents
a lost generation of women who — educated,
cultured, and unprepared for financial and
independent responsibilities — are
unable to cope with liberation and ultimately
become
victims of those who sense their vulnerability
to exploitation, men even more desperate
than they are. It is a funny tale and a
sad one
and in its magical way it presents a portrait
of the nobility and grit of those who expect
the best of everyone only to experience
the worst.
Is it a true story? the author
has this
to say:
You think you imagine things, and sometimes
hope you do but you don’t really imagine
anything completely at all. If you stop
and really look into something you think
you’ve
imagined, you’ll find that it comes
out of your life or happened somewhere,
sometime.
For example, you might describe the hallway
of a building or a girl, and think it’s
imagined, but if you cast your mind back
you’ll
find you saw that hallway or that girl somewhere.
A
word of warning. This is Donleavy at his
best —witty,
biting, decidedly scatological, eccentrically
punctuated, but powerful and seething
and inspiring.
The Edition
Each copy is hand-bound in moroccan goatskin and specially designed
handmade pastepapers, has hand-sewn headbands, and is stitched
over cords. The text is printed letterpress on paper handmade
for this edition at The Cardinal Mill and is accompanied by eight
original illustrations by Elliott Banfield. The book is presented
in a velvet-lined traycase. The edition is limited to 175 copies.
Each volume is numbered and signed by the author and the artist.